
There are moments in the year that feel like a true celebration of our industry — and Milan Design Week is exactly that. A ritual we return to every year, with the same anticipation, curiosity, and excitement.
Perfect weather, endless streets filled with energy, and tens of thousands of steps — all in pursuit of one thing: seeing the very best that the world of design has been preparing for months to present.
When I was younger, I once heard a thought from a friend — also an architect — that stayed with me. She said that inspiration often comes from the most unexpected places. You might simply walk down the street, see a pair of trousers, a texture, a silhouette… and suddenly it translates into an idea for a villa, a space, a concept.
Perhaps that’s something that comes naturally when you grow up surrounded by a city like Milan.
But during Design Week, this feeling is multiplied infinitely.
Here, every street breathes design. Every courtyard, every installation, every window display becomes part of a larger narrative — one of innovation, experimentation, new materials, sustainability, and emotion. It’s not just about objects. It’s about atmosphere, storytelling, and experience.
And, of course, curiosity is in our DNA — so we try to see as much as possible.
Highlights from Day 1
Milano Design Forest
— an immersive installation where nature, structure, and materiality merge into a spatial narrative, blurring the line between landscape and architecture.


Blooming Imperfections
— a poetic reflection on fragility and emotion, where imperfection becomes the core aesthetic language rather than a flaw.



Albori
— a scenographic interpretation of nature within an urban context, creating a quiet, almost meditative contrast to the city.


Rooms for Stories (Kave Home)
— a series of approachable interiors built around storytelling, where design feels lived-in rather than staged.

MAREA / TIDE
— a fluid, responsive installation where light and form create a sense of movement, transforming space into a constantly shifting experience.


Rubelli Showroom
— a masterclass in textile heritage, where richness, depth, and craftsmanship are expressed with timeless restraint.

Dedar Showroom
— a bold and contemporary take on textiles, where color, texture, and composition are used in a highly curated, almost artistic way.

Fischbacher 1819
– Discoveries along the Silk Road — a layered narrative of materials and culture, translating historical references into refined contemporary textiles.


INTERNI MATERIAE
— a thoughtful exploration of surfaces and materials, where architecture is reduced to its essence: texture, light, and composition.

Ralph Lauren façade
— a subtle yet powerful architectural gesture, where branding is expressed through proportion, rhythm, and material rather than excess.

Moncler building (octopus installation)
— unexpected and sculptural, a bold intervention in the city that transforms a familiar façade into a striking visual statement.


Anima Mundi
— immersive and atmospheric, a deeply conceptual installation that engages the senses and invites a slower, more introspective experience of space.

When Apricots Blossom
— cinematic and emotionally charged, combining light, texture, and scenography into a highly curated spatial moment.




Stepevi – A Softer World
— carpets move beyond product into architecture, shaping space through softness, color, and layering.


Drifting Lights (Preciosa)
— a striking composition of light, where glass and illumination create depth, rhythm, and a sense of weightlessness.



Elle Decor – Appartamento Spagnolo & Sensory Landscape
— a refined balance between editorial curation and real living spaces, rich in color, tactility, and atmosphere.

Zimmer + Rohde (Il Corridoio)
— a sophisticated study of textiles within space, where material becomes the main architectural element.

Flaer – From Vision to Identity
— a scenographic installation focused on transition and perception, where space unfolds as a sequence of layered visual moments.


Warmly,
Claire Ordovsky Tanaevsky
Founder & Art Director, Claire Dominics Buro
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